Friday, March 22, 2013

las vegas for vegans, a s patric

Short stories, good short stories, take me a long time to read. When I read a novel I like, I barrel through it to get to the end, but in a collection of short stories, when they are wonderful, I take my time. I put the book away, physically reshelve it (as opposed to leaving it in the pile of books next to the couch, where all the crime books I review live) and wait until I need it another day. So it goes that reading a book of short stories can take me weeks, months, even years—I still haven’t finished Miranda July’s No One Belongs Here More Than You—because I have a choice about when I finish it. 

 Las Vegas for Vegans was given to me by the author back when it came out, late last year, and I started it straight away. About five months later, I finished it on my couch, the baby finally asleep in her room, an expanse of time in front of me that was exactly right for Las Vegas for Vegans. I went into the study, retrieved it from the shelf (don’t laugh, it is shelved under blue), and read the final third that I had been saving for good, like a literary front room. 

Even though I hadn’t read any of it for weeks, the first story I read today—The Bronze Cow—pulled me right back into the visceral world (or worlds, or dimensions) that he has created. They are enough that by the last sentence (and sometimes that is after ten pages, sometimes after a paragraph) you have already been as immersed in the story as you might have been by a full-length novel. They are all-encompassing, ethereal, grounded, amazing. I am not clever enough to know what is happening in all of them, but it doesn’t always matter. Some I read twice because the first time I was pulled along like a current and then it would end and I wasn’t sure what I had read. These stories are not always quite real, but they are really something, you know? Like when an old American man looks over a vista with the sun in his eyes and says, “That’s really something.” 

It is the kind of collection that makes you rethink how words fit together and how stories are told. Some I didn’t like. Some made me sad. (And it isnt a recommended travel guide for traveling vegans at all.) I have folded down so many corners for turns of phrase or scenes that struck me in some way that to put them in here would probably violate copyright and have me arrested. My only regret—and I know reviewers write this type of thing all the time but I am nothing if not unoriginal—is that I’ve now read them all, that the next time I have this quiet sleeping hour free, I won’t be able to read them fresh. I’ll just have to read them again.